|
Fandango
(1985) |
|
USA 1985 Color
(Technicolor) |
| Produced by |
Warner Bros. /
Amblin Entertainment |
| Certification |
USA:PG -
UK:15 |
| Language |
English |
| Runtime |
USA:91 -
UK:87 |
| Sound
Mix |
Dolby |
| Directed by |
Kevin
Reynolds |
|
|
| Cast in credits order: |
| Kevin Costner |
Gardner Barnes |
| Judd Nelson |
Phil Hicks |
| Sam
Robards |
Kenneth Waggener |
| Chuck Bush |
Dorman |
| Brian Cesak |
Lester |
| Marvin J. McIntyre |
Truman Sparks |
| Suzy Amis |
The Girl |
| Glenne Headly |
Trelis |
| Pepe Serna |
Gas station
mechanic |
| Elizabeth Daily |
Judy |
| Robyn Rose |
Lorna |
| Stanley Grover |
Phil's Dad |
| Jane A. Johnston |
Phil's Mom |
| Dan
Brunner |
Heckler # 1 |
| Michael Conn (I) |
Heckler # 2 |
| Michael Maxwell Katz |
Heckler # 3 |
| Dana Halsted |
Co-Ed |
| Karl Wickman |
Helicopter Pilot |
| Michael M. Vendrell |
Helicopter
Policeman |
| Bill Warren |
'Truman' Stunt
Pilot |
| Bill Evridge |
Rancher |
| Margaret Nelson |
Rancher's Wife |
| Manley Adams |
Man on the Bench |
| Ken
Fagen |
Man on the Bench |
| Bill Silver |
Man on the Bench |
| Ben
Graham (I) |
Mayor |
| Jewel Watson |
Salad Lady |
| Allan Keown |
Butcher |
|
|
| Written
by |
Kevin
Reynolds |
| Cinematography by |
Thomas Del
Ruth |
| Music
by |
Dmitri
Shostakovich (from "8. symphony")
Alan Silvestri |
| Costume
Design by |
Michele
Neely |
| Film
Editing by |
Arthur Schmidt
(I)
Stephen Semel |
| Produced by |
Pat
Kehoe (associate)
Kathleen Kennedy (executive)
Frank Marshall (I)
(executive)
Barrie M. Osborne (associate)
Tim Zinnemann (I) |
| |
Other
crew: |
| Pamela Alch |
script
supervisor |
| Jean Austin |
hair styles |
| Sheila Barnes |
post-production
supervisor |
| Donah Bassett |
negative cutter |
| Peter J. Breen |
dolly grip |
| Art
Brouillard |
costumer |
| Danny Buck |
gaffer |
| Jim
Campbell |
orchestration |
| Lawrence J. Cavanaugh |
special effects |
| Robin Choate |
stunts |
| Kelly G. Crawford |
assistant film
editor |
| Rande Deluca |
stunts |
| Shane Dixon |
stunts |
| Jim
Etheridge |
camera operator |
| Walter A. Gest |
re-recording
recordist |
| Mary Goldberg |
casting |
| Richard Bryce Goodman |
production sound
mixer |
| Mike Haley |
choreographer |
| Ken
Hall |
music editor |
| Mike Hancock (I) |
make-up |
| David Handman |
assistant film
editor |
| Scott Hecker |
sound effects
editor |
| Larry Holt |
stunts |
| David Israel |
location manager |
| Pat
Kehoe |
first assistant
director |
| Rick Kline |
re-recording
mixer |
| Terri Larronde |
title design |
| John A. Larsen |
sound effects
editor |
| Fred Lerner |
stunts |
| Robert J. Litt |
re-recording
mixer |
| John London |
key grip |
| Benny McNulty |
best boy
electric |
| Barrie M. Osborne |
unit production
manager |
| John Reade |
transportation
co-ordinator |
| Ross Reynolds |
stunts |
| Walter Robles (II) |
stunts |
| Bob
Roe |
first assistant
director |
| Reid Rondell |
stunts |
| Robert R. Rutledge |
supervising sound
editor |
| Robert Scaife |
construction
co-ordinator |
| Tom
Shaw Jr |
assistant property
master |
| Mark Simon |
second assistant
camera |
| Don
Smetzer |
still
photographer |
| Peter Landsdown Smith |
art director |
| Darilyn Stringer |
extras casting |
| Elliot Tyson |
re-recording
mixer |
| Chuck Waters |
stunts |
| Lito White |
camera operator |
| Jay
Wilkinson |
sound effects
editor |
| Jack Woods (IV) |
dialogue editor |
| R.J. Worth |
stunts |
| Rick Young |
property master |
| Robert L. Zilliox |
set decorator |
| Kenneth D. Zunder |
first assistant camera
|
